cia Bragacadavra

Lola and Amal met in 2020 at the Rogelio Rivel Circus School in Barcelona. After several months of exploration, they realized they shared a creative universe and a similar sense of humor. From there, they decided to start working together on the concept of falling and how it can be applied to the way people relate to one another.
In January 2021, they created their first prototype, using acro-dance, absurdity, and physical theatre as their stage language.
They spent just over a year in a creative process, presenting their street-format work in progress at festivals such as La Mercè, Per Amor a l’Hart, Ateneu Popular de Nou Barris, La Central del Circ, and internationally at L’Arbre Bavard and Ces petites choses qui font du bien in France, among others.
The process culminated in the premiere of the full theatre version of their show in September 2024 at the Teatre Dau al Sec in Barcelona, where they were awarded the Dau Second Prize.
Throughout the creation process, they collaborated with Gina Vila and Los Informalls as external artistic mentors and received support from Barcelona Crea 2023 grants, La Central del Circ (Research and Creation Transits 2023), Teatre Nu in Sant Martí de Tous, Casa Orlandai, El Tub d’Assaig, CC Can Clariana, and Lleialtat Santsenca.

LOLA CARANDELL WIDMER

Born in Barcelona in 1998, Lola specialized in acro-dance after four years of training at the Rogelio Rivel Circus School.
Her artistic research focuses on blending acrobatics with dance and physical theatre. Alongside circus, she also works as an illustrator and tattoo artist.
She has performed in productions such as Gender (Mercat de les Flors, 2021), Amor Pur (Escenari Brossa, 2020), and several shows with Cia Decimonónica.
She also created her own solo piece, Cafè amb Merche, a 10-minute acro-dance and physical theatre act presented across different places in Barcelona.
In November 2024, she joins Compagnie du Sarment for the theatre production És el MEU arbre.

AMALIA HIDALGO LOMA-OSORIO

Born in Santiago de Chile in 1997, Amalia began her circus training at the Centre Régional des Arts du Cirque de Lomme (France), specializing in handstands and acrobatics. She continued her
professional formation at the Rogelio Rivel Circus School in

Barcelona, focusing on acro-dance and trampoline/bascula techniques. She later joined Cía Buela, performing the multidisciplinary contemporary circus show Ara, antes rara que agobiada in numerous venues around Barcelona. With early experience in social circus projects in Chile, Amalia currently works as a circus instructor for children and adults.

PAULA GUERRERO

October 2025, Paula Guerrero joins as a substitute.

(Barcelona, ​​1995) Trained in acting at Eòlia, El Timbal, and the Institut del Teatre, and later as a specialist at In Extremis Film Services.
She trained in acrobatics, aerial silks, trampoline, and Cyr wheel at the Ateneu Popular de Nou Barris, the Rogelio Rivel School, and La Bonita Cooperativa. She works with the company La Tête as a master of ceremonies, acrobat, and Cyr wheel artist.

As a performer, she has participated in Stéphane Lévy’s Allà, in a performance at the MNAC with La Fura dels Baus, and in improvisation and physical theatre shows with Les Valkiries at El Canal de Salt. In audiovisual production, he has worked on Donde caben dos by Paco Caballero, on the TV3 series La Riera and Com si fos ahir and as a specialist in Apocalipsis Z.